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i2tv - Interactive TV
1999
-
2000
video
I"TV : INTERACTIVE IMMERSIVE TV 1999 / 01 i2tv is a model for an electronic arena that explores a new form of live artistic production integrating on-line participants with participants at a real physical location. Participants take part in a
Ceci n'est pas un nike
2002
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2004
Ceci n'est pas un nike talks about on line creation and its conditions. Its point of departure is the conceptual confusion between interface and surface. Magritte's pipes are its strongest referencs and it updates the discussion about
Sea-Changes
1997
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1998
In Sea-Changes (1997-98) artists age 50 or over, from a variety of disciplines, were invited to submit personal biographical materials to a common database. The original idea was to have them use that database as a basis from which create fictional
Tollen
2006
In an arena of about 6m by 10m the artist puts a number of spinning tops in motion. He attempts to drive them as a kind of flock or lets them interact as a kind of self-sustaining system. They move in unpredictable ways, sometimes careful and
Viewfinder
2008
“Viewfinder” is a novel method for users to spatially situate, or “find the pose,” of their photographs, and then to view these photographs, along with others, as perfectly aligned overlays in a 3D world model such as Google Earth. Our objective is
LAB 1: ART+COM - Virtual Reality and The Divine Spark
1987
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1987
ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
handSCAPE
1998
-
1999
HandSCAPE is a vectorizing digital tape measure as an input device for digitizing field measurements, and visualizing the volume of the resulting vectors with computer graphics. Using embedded orientation-sensing hardware, HandSCAPE captures
Life Spacies
1997
-
1997
video
... life are c
los
ely interrelated through...
Shades of Absence: Governing Bodies
2013
video
... support. The aug
mente
d reality artworks are...
Suite For Mobile Tags
2009
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2011
Suite for Mobile Tags is a project based on QR-Code (Quick Response Code), which proposes an exercise of random and anonymous collective musical composition. For the implementation of its first movement, there is a set of eight mobile tags embedded
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