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The Tables Turned is preceded by Telematic Dreaming from 1992 and Telematic Vision from 1993. This installation is a continuation of the telematic theme placed within another social context. Dreaming used the bed, Vision used the sofa and The Tables

... progressed it inspired highly imaginative telecommunication: parties, family reunions, even showing the latest addition to the family...

... There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the...

...VirtuscopeArtist: Paul SermonComment:

... calculates the positional data for the representation of the participants as gestural bodies in virtual space. The performers’ bodies...

VIRTUAL BALANCE: LOOKING WITH THE FEET 1994 Understanding interactivity in cyberspace as a seamless experience rather than a clickable one, Virtual Balance borrows from the myth of the magic carpet to move through data. The magic carpet, popularized

The intention of this work is to emphasize certain aspects of virtuality, such as telepresence and the re-embodiment of the senses. It creates a transverse relation between the real and the virtual by correlating a physical object with its virtual

In this installation, an interactive format similar to FOURSPACE (1991) has been developed in a different aesthetic direction. The game as a primary modality of interactivity is chosen as the functional context for a strategy of communication

This computer graphic installation is a telematic adaptation of THE FRUIT MACHINE (1991). The work connects remote locations to enable simultaneous imaging and real time interaction to take place between both sites where the work is installed. It

... museum and curiosity cabinet of heterogeneous images and artifacts that encompasses a profuse collection of works arranged in...