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... observer position is made impossible by the high magnification of...

... with the fluid and ultimately impossible nature of identity. The work...

Symbolizing a nation in decay and ruin, where media is all that is left of the corporeal remains of America. Where Empire runs its course. (source: http://www.zakros.com/projects/season/index.html)

In contemporary times we may ask: is the search for self-knowledge extended and amplified through the medium of digital media? Or, do we find ourselves in a crisis - like that of Narcissus’ confusion or the loss of the soul - in which we can no

"This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs

The large-scale projection interactive installation, Revelation of Eve Clone I, further presented that Eve Clone had artificial life and reproductivity. After the viewer entered the exhibition realm, Eve Clone’s life index (the Time Code on the

Narcissus' Well was originally inspired by the seminal Pepsi Pavilion, which was created by E.A.T. (Experiments in Art & Technology) for Expo ’70 in Osaka, Japan. In the Pepsi Pavilion, a 90-foot diameter spherical mirror engaged viewers in the

Public Meteorit Watching Event Date: Nov. 16th 2010, starting at 6:30pm expected impact time: 20:33pm Location: meadows behind Kauwstraat 10, 9500 Herzele, Sint Lievens Esse, Belgium Herzele is about 40 km from Brussels and a rather small

Inside the entry curtain, visitors follow a fiber-optic cable to the center of the resonating enclosure where a portal through the floor frames the installation's focal point. The live seismic data stream drives an embedded visual display and

In separate installations of the History Apparatus, the artist planted in each location a stump from a tree that had lived over a hundred years: on the central square of Neumarkt in the town of Arnsberg and on the terrace of the Neue Nationalgalerie