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REENGINEERING of Nature and biodiversity challenges
2013
-
2013
... nature as a living organism, exchanging
electrical
potentials, heats, sounds, vibrations...
Bar Code Hotel
1994
... a virtually unlimited series of low-
maintenance
sensing devices (constrained only by...
1995/96 Sleeper’s Guts with William Forsythe, Ballet Frankfurt, Video and Set Design Frankfurt, Germany
1995
-
1996
video
... the "beast" robot was able to "find" an
electrical
socket and recharge its own battery....
A-Volve
1994
-
1995
video
In the interactive real-time environment "A-Volve" visitors interact with virtual creatures in the space of a water filled glass pool.These virtual creatures are products of evolutionary rules and influenced by human creation and decision.
GENMA
1996
-
1997
video
GENMA is a machine, that enables us to manipulate 'Nature'. Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and
Earth Signals
1990
-
1990
Earth Signals - A telematic "leaf shaped" installation structure housing six Commodore Amiga computers displaying image files, received via E-mail from Artists throughout the UK, for the Omphalos Gallery in Swiss Cottage London, England, June to
Think about the people now
1990
-
1990
video
A Commodore Amiga hyper-media computer programme, based on the theme of a media reported event from the 1990 Remembrance Ceremony in Whitehall, London. A young man ran out from the crowd and set fire to himself and shouted the words "think about the
Telematic Séance
1993
-
1993
The technology involved in "The Telematic Séance" is much the same as "Telematic Dreaming", however the situation is somewhat different. During the production of "Telematic Dreaming" I discovered many aspects of user interaction that I have brought
Conversation
1987
-
1987
Prompting a continuum between nature and culture, between species, and among the senses, Kac’s work questions the structures, mediations, and ultimately the supremacy of vision in art, while promoting synesthetic experiences that rearticulate
Telematic Vision
1993
-
1993
Artistic Statement by Paul Sermon First there was the bed, then came the sofa. The beginnings of this work started with the installation "Telematic Dreaming" produced in June 1992 for the "koti" exhibition in Kajaani, Finland. forwarding the
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