Archive Search

The site-specific installation “Elevator’s Music”, visits the topic of synthetic creatures becoming sentient. What if centuries from now, we had the technology to make any machine self-aware? In this distant future, if an elevator could be

ENERGY PASSAGES 2004 Energy Passages transforms the ordinary into something extraordinary. The daily newspaper becomes a poetic audio-visual field of keywords flowing through urban space. The installation is designed to make visitors think about how

Rendre visible l’invisible Parce que l’on parle ici de l’invisible qui détermine notre destin, il est important de lui donner une forme de visibilité. Le danger réside dans l’incapacité du cerveau à dissocier l’importance de la menace de la

I was invited to do a site specific installation in Travana, Slovakia. The gallery was an abandoned synagogue. I shot a video in Tranava and developed a series of street signs in the style of normal street signs. They presented short poetic lines

Escape © 2012, Laurent MIGNONNEAU & Christa SOMMERER developed for The View Contemporary Art Space Swizerland The installation "Escape" deals with the issue of flight attempt. It was originally developed as site specific installation in the civilian

"Eternal Summer" is a site-specific, 4 screen installation commissioned for the waiting room of the Ebner, Stolz & Partners corporate office at the Kronencarre building in Stuttgart, Germany. The concept of the installation in the waiting room

The Exodus Project was a "virtual tele-performance" during Ars Electronica 1995 and brainchild of Michael Bielicky, a Czech-German New Media artist determined to replicate the biblical trail of the prophet Moses. This site is the Net result of

Exploded Views is an interactive installation whereby three participants run on individual conveyor belts. They physically move themselves through both an interactive audio-environment and interactive imagery projected at the front of the belts. The

Extensions (1999-2000) was my contribution to a group project called "Reaching", which set out to look at networking as a metaphor for various ways of communicating or of "reaching" from one point or person to another. The other artists were Susan

Eyepiece is a 16mm film installation, where an image of a human eye is projected onto a custom-made rear-screen dome, thus become 3D. Eyepiece was originally produced using raw footage of human eyeballs in 1979. In 1983, it was re-filmed for the