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Grass
1972
-
1972
video
The original programming language "GRASS" (GRAphics Symbiosis System) was developed by Thomas DeFanti for his Ph.D. dissertation at The Ohio State University in 1974. For further information, see Wayne Carlson, Historical Significance In 1969, the
Petit Mal
1989
-
1993
... of a machine "intelligence" which is substantially itself,
not
an automaton or simulation of some biological system. More...
Virtual Book
2005
-
2005
... thought about how to record artistic processes. What kind of
not
ation system could be found for this cross-media process, which...
INVERSE SPACE
2017
... a non-living (inorganic) substance from one physical state to a
not
her – namely, the process of crystallization, which involves the...
Between Zero and One
1988
-
1988
video
Between 0 and 1: Numerical Dream or the Generative Transformation of Virtual Space (1988) "Between Zero and One" is created by changing the numerical values of geometric shapes such as a cube. This process generates an infinite variety of
eMoving Stills
2008
Foto series The mechanics of emotions in photographs 6 photos with subtitles "La Mécanique des émotions" is a great tale of works : performances, installations, sculptures, machines… "eMoving Stills" are like a subtitled film in which the
Day of the Figurines
2006
-
2006
... Hypermedia Laboratory, Nokia Research, the University of
Not
tingham, Mixed Reality Lab, Fraunhofer Institute, FIT, Sony...
Lautriv Chromagnon/Medusa
1995
Lautriv's body is an interactive sculpture. Both sexes are contained in unique figure, composed by a synthesis of classical forms: the head of Medusa, the ears (serpents) of Medusa, the chest and hand of Discobolo and the abdomen and legs of
conFIGURING the Cave
1997
-
1997
ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic
Watchers
1996
... to the retina is sensitive to mostly movement. These works are
not
concerned with the media images per se but the means by which...
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