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Architecture scénographies interactives
2000
-
2000
Dans les projets de conception d’exposition, je m’efforce de considérer la scénographie comme une composante significative du message véhiculé par le projet muséographique. Nous sommes en effet passés d’une époque où le muséographe avait
Jardin Virtuel de Calais
1999
-
1999
Projet de parc thématique culturel: Conception des dispositifs interactifs, réalité virtuelle, réalité augmentée, robots…
Graphic Jam
1999
-
1999
... It's an attack on
the
ingenious artist, who is... tp://artcontext.org/s
how
s/press/swiss/) with which many
use
rs can paint...
Transarchitectures
1998
-
1998
... perspectives vertigine
use
s et jusqu’alors...
Cloud
2007
-
2007
video
... hanging suspended in
the
Great Hall at
the
Ontario...
The
Waiting Room
2002
-
2002
...
use
rs share through
the
Internet.
The
visitors to... m/cgi-bin/galleries/s
how
?what=artwork&login=bitforms... space that 50
use
rs share through
the
...
Telematic Manifesto
1999
-
2001
...Net-Project
The
"Telematic Manifesto" is a participatory,... History has also s
how
n that
the
evolution of...
AME: Art After M
use
um
1992
-
1992
... After M
use
um Is
the
re thing such as Art After...
the
technologies
use
d.
The
y will be selected...
Carré blanc sur fond blanc
1990
-
1990
Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
Cityscapes
2008
... people can share
the
ir experiences of
the
... maps as marks of
how
personal place is. On
the
... has combined
use
r participation,...
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