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Riding the Net
2000
-
2000
video
Riding the Net presents a novel approach to browsing the Internet in a more intuitive, playful and entertaining fashion. While two users talk and communicate with each other, the keywords of their communication are being picked up by the
Digital Body-Automata
1997
-
1997
... The reactions the participant
make
s to the various choices or belief... from the early disc
over
s of molecular phenomena like...
Rambona
1992
-
1994
... prints tiled into one image to
over
come scale limitations. The work is...
Another Day in Paradise
1992
-
1994
The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in
Bodies INCorporated
1995
-
1999
Bodies© INCorporated is an investigation into social psychology and group dynamics, actualized in corporate structure. It is a collaborative project on many levels, from the team of artists implementing it, to the actively participating audience
Datamining Bodies in Ruhr
2000
-
2001
The project takes on two forms - the installation in an old mine in Dortmund: Zeche Zollern II/IV and the online version. The site-specific installation is experiential with sound taking on an important role. Spatialized sound is triggered by
n0time
2000
-
2001
... suffering from information
over
flow and lack of time, and we have...
P
over
ty Island with Video Skies
1997
-
1997
..."P
over
ty Island with video Skies" is the beginning of an exploration of the...
Gallery of Motions
1996
-
1996
A sculpture garden and gallery where even the plants and buildings move, with tours conducted by an animated guide. The garden is comprised of exhibits including kinetic objects based on the Philippine wine dance and three-dimensional harmonic
Fugitive
1995
-
1997
Fugitive is an interactive artwork which (via a machine vision system) interprets gross bodily movement as an indicator of "mood". The user moves through an impressionistic visual experience based in a digital video database. The question of
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