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... has been identified as, in a confrontational reminder that the steady increase in the use of biometric technology in public space should be viewed with a healthy skepticism.

... Virtual Reality presents an imaginary inside of a human eukaryotic cell, enlarged about 300.000 times to become a gigantic space in which we can move around and imagine what the interior would look like, from the cell nucleus in the center to the various...

... interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to provide methods for interaction that do not harm the...

... Animated imagery, ambient crowd sounds, and fragments from well known speeches throughout history transformed the gallery space into an arena that placed the viewer in the role of audience and/or speaker. As viewers interacted with twelve triggers...

...The virtual space created by Dancing with the Virtual Dervish provides interaction and chance participation between artists and public. A dancer in goggles and gloves interacts with intelligent and controllable computer generated objects while a series of projections...

... body of the image, a vertical bar of white LEDs is inserted; it generates words that seem to hover in the surrounding space for fractions of a second. The approximately 100 terms chosen for the work – "achievement", "unpaid", "family", "care",...

... to vary diverse parameters of the object. The graphics and sound are inseparably linked to each other. In this way the space is always filled with new audiovisual bodies. "SonoMorphis" represents the attempt to creatively apply the results of our...

... regular lawns convey the will of someone no longer present. In this sense the garden is a system, artifice and theatrical space that always anticipates its user and betrays the actions of those who have come before. In the same way that we can read...

... puppet, tree, flower or house are hand-drawn, scanned in and used as texture-maps on 2D polygonal forms positioned in the 3D space. At first the scenes are lightened just with one light source, but as the story goes on, more and more puppets have their own...

... us to ponder the nature of language while the larger colored forms may be savored as cyberflowers floating in unbounded space." RV, Minneapolis 2006.