Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
(selected)
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
…
(more)
31
32
33
34
(current)
35
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
COMBATscience Augmented II
2022
... The piece highlights
how
little the argument of an... weapon systems.
Use
rs move freely
with
in the... implications, beginning
with
the gas attacks in World War...
/source/ (postfactual)
2017
-
2017
... invisible & inaudible.
How
ever, even today, by simply... projection.
Use
rs are invited to hover above,... frustrates the viewer
with
a mo
use
cursor, which is...
Timo Kahlen: in medias res
2020
-
2020
... invisible & inaudible.
How
ever, even today, by simply... as visitors &
use
rs explore the individual...
With
the end of browser support...
Timo Kahlen: carpe diem, 2011 interactive net art
2011
-
2011
... invisible & inaudible.
How
ever, even today, by simply... as visitors &
use
rs explore the individual...
With
the end of browser support...
Timo Kahlen: UR, 2006
2006
-
2006
... invisible & inaudible.
How
ever, even today, by simply... as visitors &
use
rs explore the individual...
With
the end of browser support...
Ian Andrews & Timo Kahlen: Sound Drift
2005
-
2005
... invisible & inaudible.
How
ever, even today, by simply... as visitors &
use
rs explore the individual...
With
the end of browser support...
s t i l l a l i v e
2022
video
... advanced and ready for
use
that we can be observed and... material, which I modify
with
editing, loops, effects,...
Liminal Spaces
2015
video
... virtual labyrinths and s
how
ers of words about surveillance... technologies
use
d for surveillance and control... and interplay
with
performers. An experience of...
Diver
2018
video
... aesthetic choices of the
use
r. Various layers of meaning...
Audio Dust
2011
-
2011
... invisible & inaudible.
How
ever, even today, by simply... as visitors &
use
rs explore the individual...
With
the end of browser support...
1
…
(more)
31
32
33
34
(current)
35