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  • The animation Global Vulva connects female figures and vulva symbols from different times, countries and cultures, while they morph into each other - the cultural meaning of the female genital becomes visible again. You'll see paleolithic
  • VENOMENON -
    Based on her continuous research on counterfactual thinking, media artist Elke Reinhuber explores how to present a narrative in a multi-linear manner by fragmenting and dissecting it for the audience. Venomenon was shot in stereo 3D, completely on
  • Underglow -
    Underglow illuminated a number of separate gullies (drains) in the vicinity of Guildhall Yard, King Street and Queen Street and were visible from dusk to dawn from November 2005 until February 2006. Source: Susan Collins
  • Love Brid -
    Love Brid is one of three short films commissioned by Animate Projects as part of Sea Change. It is an animated postcard, a loving tribute to the timeless charms of the seaside, and a colourful rollercoaster ride through the coastal town of
  • London 2013 – and 2014 – reveal the view from Christina Niederberger’s studio on the 8th floor of ASC Studios’ Erlang House looking north over London’s newly emerging skyline. The images were constructed a pixel a second from top left to the bottom
  • Brighter Later -
    Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by
  • Beacon
    Beacon (2010) is an light sculpture created by media artist Ben Rubin; its animated shapes are based on the unique visual structure of the pages of the Talmud. It was commissioned by the National Museum of American Jewish History in Philadelphia,
  • Tower
    Tower is an interactive literary art work where the computer listens to and anticipates what is to be said by those interacting with it. A self-learning system, as the inter-actor speaks the computer displays the next words, in the order of
  • In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while
  • Boulder I
    Boulder I is a rock that sits upright on a cushion. Walking around the object, the viewer notices that the object had a hole on one side and is actually hollow. On display is therefore not a stone but a stone surface. Given that the eye can only