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... are changing, modificate the volume, mixíng the sentence, getting destroyed. The work plays with sensibility of machines, digital memory and reaction between body and artificial object.

... is never the same; it happens live and per chance. The humans disturb the dust, cause the chaos – the body is a part of digital artefact.

... discovery of knowledge in the netzspannung.org database and a tool for the visualization and analysis of information in the digital archive. The database entries are calculated by a trained artificial neural network. The Semantic Map is based on the...

... huge amounts of information being aggregated from many well functioning services. "Big Brother reloaded," as it were, under digital circumstances. Beyond such dystopic Orwellian visions shared by many observers of the new digital pluriverses, a more recent...

... the archive, programs such as streaming tele-lectures by media scholars, media art learning examples for children, and the digital sparks student competitions capture the evolving media art landscape over the years. Through an email survey to the...

... social platforms, mobile technologies and mhealth process learning experiences in the physical world and in the digital environment, in collaborations and reciprocity, by using technological common network protocols. ...

... objects, qualities and other circumstances which characterize the myths' lives, enter by the internet configuring a global digital hypermemory. Sentences are searched and written, in real time, adding narratives about each myth to the abstraction of sounds...

...When a visitor steps on one of the 32 sensors on the floor, a screen in front of her shows one of four little digital worlds, that are partly controllable by the viewer. Hypothetical creatures, autonomous and life-like, live in these worlds. Artificial life becomes an...

... software, Alex creates scenes using everyday items, which are then overlaid with projected video to create an evolving digital sculpture.

...Rupture, the passion market: why love is not fashionable (1998), Mix media interactive installation: 2 digital paintings and 1 neon, 12 postcards and an interactive CD-ROMArtist: Patrícia GouveiaComment: