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  • ... a set of points or trajectory or complex line. a conceptual point is made The border of the path is the edge of the moving body as it describes its trajectory. this may be engaged while in motion or pushed away or avoided Repulsion / Attraction the tools...
  • ... row might be more complex). In the first phase of the work, there is no indication of the orator's presence such as face or body other than the sound of his speech. An orator assumes to be on a stand, a BEMA. In the scenery of the game, a reversed model of...
  • ... in pornographic imagery because a man often looks to a woman's face for cues to her level of sexual arousal, since her body, unlike a man's, does not give her away. [ http://www.nytimes.com/2007/04/10/science/10desi.html?_r=2&pagewanted=print ] So...
  • Cross Currents -
    ... through a narrative dealing with the relationship between a young mail-order bride who has fled from Croatia and the Serbian bodyguard hired to ‘protect’ her after she is forced into prostitution in Berlin. This plot conjures up the world of the refugee in...
  • Push /Pull
    ...In the installation Push / Pull, by Edwin van der Heide and Marnix de Nijs, visitors can throw their full bodyweight into huge hovercraft-like objects. Each player has their ‘own’ playing field with their ‘own’ interactive hovercraft and yet the movements of one will...
  • Optical Diffraction -
    ...Video installation – diptych: Upper part: video projection: Bodyfraction 2020 (Uršula Berlot & Sunčana Kuljiš), Hyperoptics 2021 (Uršula Berlot); sound: Scanner – Robin Rimbaud Lower part: light image-object: laser-cut and digital print on plexiglass (113 x 150 cm)...