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Open(ing) Source
2005
-
2007
... in Genographic Project are related with our "genetic
mark
ers" and how they can describe our journey as humans in this...
SoleNoid
2009
... alternates between: 1. A preprogrammed composition by
Mark
o Wild. Here sounds occur sometimes in synchronization and other...
Time: color
2019
-
2019
video
... themselves in a spatial experience of time that provokes the
question
ing of notations and perceptions that we usually consider...
EMOTION WINDS
2014
video
... of the ‘human factor’, comparing human affects with stock
mark
et data, forming part of the artist’s running critique on preeminent...
EMOTIONS IN SPACE
2014
... of the ‘human factor’, comparing human affects with stock
mark
et data, forming part of the artist’s running critique on preeminent...
JUST DIG/IT!
2016
... process of connecting through data via the Web, and poses the
question
s of how the image of borders is conveyed by the Net, how...
JUS DIG IT! NANJING
2017
... process of connecting through data via the Web, and poses the
question
s of how the image of borders is conveyed by the Net, how...
BRAIN CLOUD (BY BRAIN FACTORY)
2018
video
... the integration of AI. Algorithms are predicting behaviors,
mark
et values, currencies and create or destroy economies. Brain Cloud...
RGB MOLECULAR
2020
...Acryl and
mark
er on paperSeries (12), dim: 66 x 90 cm (each) Drawings in colour that trace microscopic motifs of bodily particles shift...
FERROCRYSTALS
2014
... aesthetic aspects of scientific “images” and thus evokes new
question
s and ideas in the spectator. Matter slides away from the field of...
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