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... us. The installation attempts to document these invisible layers leading to one specific electrical plug in the exhibition space and allows the visitor to relate to the complexity of the system. (Timo Toots)

... at eye level. For the moving observers, words and graphic icons seem to float for a brief moment in front of the wall and in the space. The terms and imagery originate from a data pool comprising thousands of entries on the topics “humans” and “energy”.

... fact that, unlike elementary particles that can exist individually – as they can also be found as particles floating in empty space – quasiparticles only exist in matter in the form of empty space within matter. Creating a series of objects initially grew out...

... information and vie for images to project on the reflective two way mirrors each holds. They communicate in the physical space, on the internet, and with each other. Background Reliance on tracking and surveillance systems has resulted in a...

... the twelwe simultaneous recordings into a single panorama. Within EVE the viewer freely explores this cinematic narrative space. While doing this he takes on the roles of cameraman and film editor and by his own movements determines the edited version of...

...Installation Europe, North Africa and the Middle East enclose the Mediterranean, generating a space "in-between": refugees seek to traverse it either from the Maghreb states or from Turkey towards Europe; in contrast, Europe creates both real and electronic walls....

...It records choreographies of moving bodies in real space, generating drawings on the electronic screen by different groupings of moving figures. The scenes are recorded by cameras in shots from above and at a distance, transforming the moving bodies into black dots...

...Video sculpture A monitor is hung up with rubber bands and steel spirals, and thus installed as a punching ball in the exhibition space. A video shows the world globe seen from orbit. The globe rotates and passes through a process of resolution and restoration as a...

... performance venue. Four scenes, made up of choreography and media, play on the theme of the relationship to time, memory and space. An allegory of the multiple transformations of bodies invaded by technology, where the manifold personalities of augmented...

... plexiglass matter to the organic shadowy image is discrete and not linked. There is no lever between the two, only empty space without any awareness. It is the space of the subject.' – Luka Omladi?, Reflection, 2002 (excerpt)