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  • Cityscapes
    ... spatially organized is reflected in locative media. David McCallum (www.vagueterrain.net) defines locative art in terms of its technologies, which connect ‘information to geography’: microphones, cameras, RFID, GPS, wireless communications protocols, and a...
  • ... or place without life) functioned as a place of an event or state of becoming for the memory of an emerging culture by technological devices of network and in streaming, allied to sensors in situ updated, by the flows of the presence of visitors.the...
  • ...Repsat uses the latest 3D printing technology and it´s conversion from digital files to printed format. Through this conversion we obtain three dimensional models in low relief called litophanies. This litophanies when are retroiluminated works as a bitmap in black and...
  • ... by David Rokeby and Lewis Kaye. The exhibition was presented at the University of Toronto’s McLuhan Program in Culture and Technology (commonly known as the Coach House) for the Scotiabank Contact Photography Festival in May 2010.
  • Urban Datascape -
    ... in an interactive game that confronts him with his own interactions with the climate. A critical look at the use of technology, Urban DataScape also offers a non-market reappropriation of the QR-code to encourage citizen involvement and...
  • Prophylexis -
    ... Prophylexis artworks uses this material as a base or canvas to print different manipulated images through databending techniques. Images are obtained by ESA repository from satellites currently orbiting. Artist tries with this open graphic way to...
  • ... and communications. Six old style radios from the 1950ies have been modified and “enhanced” with our in-house sensor technology. Sounds coming from these radios create a sensation of humanness and exhaustion as the radios breath, sneeze, burp, cough,...
  • ... for example in the mechanisms of participatory democracy. The question ultimately is this: have our societies really done with techno-scientific "alienation"? Under the guise of the “reflexivity” of research, are we not actually seeing the irruption of a new...
  • ... and shown their places on the floor by an attendant with a small flashlight. The visitors are told nothing about the technical system in the room; only to keep mindful of their breathing. Once all of the participants have entered, the room sits in...
  • ... the environment in real time. TGarden emerged from an ongoing discussion between sponge and FoAM about the development of technologically (computationally) augmented fluid environments that emphasize social play between people and help catalyze new ways...