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  • b) nanotextures -
    ... designed for use as a real-time visual score. It was created as part of HEARIMPROV, an experimental audiovisual concert by artist Adinda van ‘t Klooster that visualised sound for people interested in improvisation and audiovisual media, and who had hearing...
  • Suspended Spring -
    ...The Nantesbuch Foundation focuses on artworks dealing with nature. In April, they asked 100 of their artists to create a video piece on nature in the spring. See their website for the online exhibit "Arts of Spring." To express my feeling of having to watch spring pass...
  • ...I am honored to be guest VR artist in Karolina Markiewicz and Pascal Piron's moving VR work that tells the story of a child who, resilient to despair, seeks relief through memories, imagination, and the strength of poetry. This is based on the true story of Yunus...
  • ... Dorothy Winstone Theatre in Auckland in 2002. It built upon two 1999 events - one conceptualised and realised by New Zealand artist Raewyn Turner and one that was created by myself in Denmark as a commission for the European Film School and Danish Radio...
  • Virtual Berlin Wall -
    ... parts of the world into two opposing political systems. By now, most traces of the Berlin Wall have been eliminated. In 2008 the artist team T+T (Tamiko Thiel and Teresa Reuter) brought out their VR artwork “Virtuelle Mauer/ReConstructing the Wall”...
  • Enter the Plastoscene -
    ...Humans have created a whole new epoch for the denizens of the ocean: the Plastocene. Plastic has become a ubiquitous part of the world's oceans, permeating all layers from the surface down to the darkest depths. Humans like to consider themselves the Center of...
  • Vera Plastica -
    ... variations in the geometry and color of a thematic form, which progress in rows and columns to fill the image space. As artists whose works are primarily spatial and time-based, however, we have extended her process into the 3rd and 4th dimensions of...
  • ...A white cube was constructed in the club, inverting the familiar “white cube” gallery space. Inside, instructions encouraged participants to disclose secrets into a microphone. Their mute video was displayed on the dance floor, while their (effectively anonymous) audio...
  • ... the rapid dissemination of media, highlighting the diminishing boundaries of secrecy and privacy. Through immersive participation, visitors witness how whispered words swiftly propagate, their echoes enveloping the space. The experience evokes parallels...
  • The chair’s interactive interface creates a sonic environment that transforms our emotional state into sound. Drawing inspiration from John Cage's 4'33”, the concept of the chair explores themes of waiting, boredom, silence, and noise. As visitors