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Media Art Learning
2000
-
2002
... oder gar zum Bessermachen. Im Projekt „ArtDe
Com
- Art Design
Com
puter” liegt der Schwerpunkt der Unterrichtskonzepte für allgemein...
LAB 3: MARS - Media Arts ReSearch
1995
-
2012
... art of tomorrow” in teams of architects, artists, designers,
com
puter scientists, art and media scientists. They asked how people...
Active Living Infrastructure: Controlled Environment (ALICE)
2021
-
2021
... us a glimpse of the astronomically huge dataspace we exist in. Two
com
munities of colourful geometric shapes drawn, or ‘recycled’, from...
Audible Collage
2005
-
2005
The audio play "Audible Textcollage" offers a performance in which two electronic reporters, Klara and Rainer, based on AT&T Text-to-Speech, using rule-based AI methods, have a conversation about the book and also provide a book review of the print
More Than Us
2022
-
2022
... us a glimpse of the astronomically huge dataspace we exist in. Two
com
munities of colourful geometric shapes drawn, or ‘recycled’, from...
Rodent Activity Transmissions (RAT) systems
2016
-
2016
This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
The Lake
2005
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2005
... the piece uses hydrophones, custom software and an array of
com
puters to track and gather real-time data from 16 electronically...
Tea Flock
2011
-
2011
Tea Flock infuses migrating rituals and represents emerging patterns through the group behaviour of objects, using data from migratory birds to-and-from tea-growing countries and the UK. A dynamic gaggle of unfilled vessels flock to tea-rich lands
We Need Us
2014
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2014
What is the meaning of data beyond its value-laden content? We Need Us draws metadata from the activities of citizen science site Zooniverse’s million+ participants to create an ever-growing environment of sounds and animated forms. Unlike
Digital Wave
1998
-
1998
... photograph of the viewer, then projects it in a series of
com
puterised filters down the wave-shaped structure. As the viewer...
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