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  • ... according to visual rules translated into computer code. Inspired by the historian Jurgis Baltrusaitis’ study of Anamorphic Art, an approach that disrupts the frontal perspective viewing of western visual representation, the software begins its process by...
  • Imaginary Workspaces is a series inspired by dystopian science fiction narratives as written by Stanislaw Lem and Philip K. Dick that imagine fictional industrial workspaces. This collection of invented images oscillate between retro futuristic
  • ... era. 1970-1971 was a time of global conflict and tension signaled by the Vietnam war, and in Montreal where the artist resided, by the separatist movement actions October Crisis. Each lenticular is related to a place such as Jerusalem, Istanbul,...
  • Cadence -
    ... onto the surface of strips of upcycled clear 35mm film, with touch as an integral sense involved in the creation of the artwork. The film material is swiftly digitised frame-by-frame using a 4K digital camera before the flowers lose their colour....
  • Refraction
    ... referencing in varying degrees cinematic moments and sequences related to visual cultural consciousness that have been a part of the media generation raised since the 1960’s. In the way that the Russian psychologist Luria’s patient S, suffering from...
  • ...Virtual 3D Library for the University of KonstanzArtist: Daniel RihaComment:
  • ...Multimedia Part of Permanent Exhibition in Jan Hus Museum, Konstanz, GermanyArtist: Daniel RihaComment:
  • Two Trees
    ... as able to use the drone to more completely see them and established a temporal experience. The soundtrack was created with Arturia Pigments software synthesizer.
  • We are Stardust -
    ... the NASA Spitzer Space Center at CalTech in 2008 to realize an installation project for the exhibition OBSERVE held at the Art Center of College of Design in Pasadena. Following discussions and presentations by the scientists I chose to focus on the...
  • ...The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of Lincoln to describe the...