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Imaginary Workspaces is a series inspired by dystopian science fiction narratives as written by Stanislaw Lem and Philip K. Dick that imagine fictional industrial workspaces. This collection of invented images oscillate between retro futuristic

... era. 1970-1971 was a time of global conflict and tension signaled by the Vietnam war, and in Montreal where the artist resided, by the separatist movement actions October Crisis. Each lenticular is related to a place such as Jerusalem, Istanbul,...

...Virtual 3D Library for the University of KonstanzArtist: Daniel RihaComment:

...Multimedia Part of Permanent Exhibition in Jan Hus Museum, Konstanz, GermanyArtist: Daniel RihaComment:

... as able to use the drone to more completely see them and established a temporal experience. The soundtrack was created with Arturia Pigments software synthesizer.

... the NASA Spitzer Space Center at CalTech in 2008 to realize an installation project for the exhibition OBSERVE held at the Art Center of College of Design in Pasadena. Following discussions and presentations by the scientists I chose to focus on the...

...The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of Lincoln to describe the...

Expanded interactions and mixed landscape generate the 14#bis biocybrid system, to celebrate the 50th birthay of Brasilia. In a public event, by exploring mobile and locative interface in mixed reality, we put in the sky of the Brazilian capital,

... birds) make possible to activate the synthetic fishes through simple gestures. When touched, the synthetic fishes launch an artificial intelligence program which gives to the synthetic creatures a collective behavior, obtained by the use of a flocking...

Campos | Temporales was developed as a large scale architectural video installation for 150 Media Stream, a curated video exhibition space in the lobby of 150 Riverside Plaza in Chicago. A musical composition by Christopher Walczak was presented on