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Artistas y Máquinas. Diálogos en el desarrollo del arte digitalArtist: Nilo CasaresComment:

A journey into the cosmos, into open endless space, has always attracted scientists and dreamers. Gigantic stars, the milky way, galaxies thousands of light years away surround the earth, and we humans can be imagined as small elementary particles

The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of

Pupil is an album dedicated to the non-human animals that accompany us in life, to the distance, to the learning of a language that is not one's own, that babbles. It is composed with different digital techniques that include but are not limited to

Kombucha SCOBY (a symbiotic culture of bacteria and yeast) is an incredible creature. There are many different myths and legends about this. Even one concerns its extraterrestrial origin. Kombucha is also unique in that it cannot be accurately

“untouched” is a series of self-portraits created through 3D scanning and presented as unaltered online virtual and Augmented Reality sculptures. Motionless yet constantly interacting and performing in-between realities, the virtual fragmented

“It feels like home” is an online intervention that uses the synthetic space of the browser as a stage to unfold an interactive, performative and generative virtual experience. Experimenting with the notion of time during a pandemic and isolation,

Catherine B. Fisher 'Crossroads' 2021 Postdigital artwork 25.4 x 25.4cmArtist: Catherine B FisherComment:

Catherine B. Fisher 'Houston we have a problem' 2021 Postdigital artwork 25.4 x 25.4cmArtist: Catherine B FisherComment:

Affective Enactive Rituals and The Naturalization of Technologies: “between the body and calculation, trance and algorithmArtist: Diana DominguesComment: