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Debuted at the Whitney Museum at Phillip Morris, 1992, as part of a series co-curated by Toni Dove with Helen Thorington of New American Radio and Jeanette Vuocolo of the Whitney Phillip Morris Performance series. Entitled "Performing Bodies and

... relationships with each other and the other inhabitants of our environment." (source: www.ku.edu/~mreaney/reaney)

In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous

... museum space - this image is overlaid on his view of the real environment. By pushing the handles, the spectator can interactively...

Inertia, 2010-11 | Music Henry Vega | Dance Géraldine Fournier | [Materials] Projectors, Computers, Media Player. Dimensions: 5m x 5m x 2.0m Utilizing the cut-up technique, a methodology commonly associated with the aleatory literary technique in

An out-of-focus "still-life" image of a window display is projected on a full screen gallery wall. As the audience moves in the gallery space, items from the inventory of objects in the image come into focus depending on the audience's relative

... consciousness as a chorus of voices responds to the changing environment. The score moves from minimal and ambient to complex,...

THE MEADOW explores and manifests the metaphorical space which lies between the 'simulated' and the 'real' - a space to which artists are inevitably drawn. Ambiguity and irony also share this space, and it is here that new

... of Natural Selection, is information change, caused by the environment. Are researchers part of this environment? If selection is...

... the mouse around the screen they are able to navigate this 3D environment. All the viewers are able to see what all the other...