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  • Stanze -
    ... the screen the artists superimpose predefined images with that ones of the observers extracted by the image coming from the camera.... the interacting actor who tends to losses the consciousness to drive the installation itself (after a while it is hard to him to...
  • ... claim and explore a part of the space. For example, one performer looks at an emerging virtual handwriting by Virilio. The... as gestural bodies in virtual space. The performers’ bodies drive the data environment by moving and stretching the images, texts,...
  • Tell Me the Truth -
    ... called Tell Me the Truth had several inspirational inputs. One of which was M.C. Escher's print called Stars. There was something... the final composition. This happened when saving it to a hard drive that was too full to accommodate all the new data. (excerpted...
  • ... an algorithm is a machine of words a set of operations one can die from an operation a dance is a purposeful/purposeless... the book of motion lines of code are like the threads of a driven story - the algorithm If these lines or "strings" as they are...
  • ... speed. A third button allows centering of the viewer inside one of the textured objects he has entered. A microphone attached to... in a virtual event can share a common viewpoint. The bus-driver metaphor used here is a quite natural way to achieve this...
  • Nuzzle Afar -
    ... of an avatar, so that on the "faces" of the other avatars one can see the visitors at the respective terminals. When navigating...
  • Mori -
    ... the installation`s focal point. The live seismic data stream drives an embedded visual display and immersive low-frequency sounds,...
  • ... talking to other people like speaking to themselves. Only one wall at a time connect us to people far away or via the Internet....
  • ... viewer" to create a 3D immersive effect for the viewer. Driven by the desire to combine these historic images with modern...
  • ... rotating turntable, using a translucent cylindrical screen so one can see on both sides. The result is a very natural looking... and spatiality is maintained. Dome Projections (1978) was driven by the urge to see if an "inside out" panorama would "read" to...