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... not really there. Lengthy shots with a fixed camera unveil the passage of time on the landscape. By partially erasing the ephemeral...

... moving toward us. As it got closer we could see that it would pass behind our aircraft. Then, as our viewing angle changed, we could...

... dangerous aspects to which we mustn’t turn a blind eye. When we pass by Sylvia Eckermann’s artwork, we look at eyes but at the same time...

... run along the projection screen. Images of projects and people pass by the viewer. They include titles, authors and keywords....

... required to explore this Environment, and it is necessary to pass through a communication SAS. Is Art After Museum stifled or...

... patterns which are too long for the eye to process in one pass. In fact, a heart specialist will sometimes ``listen''...

... is a man who walks down the street and barks at all those who pass. "That guy is borderline" where sense borders nonsense. Nonsense...

... develops the metaphor of traveling and watching landscapes passing by through the window of vehicles such as trains, cars and air...

... Rabinowitz. Initially, it was used quite spontaneously by passers-by but as the exhibition progressed it inspired highly...

... changes in weight and transmit them to an analyzer, which passes on the position and orientation of the navigator in the virtual...