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... to create the work, and a superstratum, Text, a space consisting of quotes from the artist and excerpts of relevant texts on technology, the body and nature. Code and Text function as conceptual parentheses around the worlds within. Through use of their own...

... fuse. This quality distinguishes this work and others created in subsequent years in collaboration with Andrea Zapp. Their techno-aesthetic language is unique and has brought this artist duo great popularity. The traditional rhetorical technique of...

...The technology involved in "The Telematic Séance" is much the same as "Telematic Dreaming", however the situation is somewhat different. During the production of "Telematic Dreaming" I discovered many aspects of user interaction that I have brought attention to in this...

...A human sized real kaleidoscope creates colorized feedback patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.

... that examine how vision, touch, hearing and voice are facilitated and constrained by the structures and mediation of technology. Within his networked environments, dialogical communication among humans, animals, plants, microorganisms and machines is...

... eyes. The exterior installation space communicates a contrasting image to the domestic interior. Unlike the inside, the technology is very visible - akin to a media lab environment. The telepresent interfaces located on the outside of the installation,...

... space becomes a surface for showing film clips. The content of this installation is a personally contrived cultural and technological history of virtual reality. The four thematic worlds constitute a virtual memory theater of diverse quotations and...

...ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality...

... particles were used to visualise the moving laser beam and so create immaterial kinetic architectures of light. This technique was used for two Genesis concert tours. The presentation at 'de Appel' explored the possibilities of an interactive...

... audience. The action of the work was controlled by one member of the audience using two specially made joysticks. Embodying techniques developed for flight simulation, this work gave the operator the ability to interactively move his virtual point of view...