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On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World
1992
-
1992
... Art and the Non-Identicality within the Object WorldArtist:
Peter
WeibelComment:
Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: Lascaux
1993
...Die Wand, der Vorhang (Grenze, die) fachsprachlich auch: LascauxArtist:
Peter
WeibelComment:
Nothing Remains the Same (Sensoric Organ)
2004
-
2004
...Influence, change and transformation are keywords in
Peter
Hagdahls ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where...
reservoir_bots v.2 GameMod vor a VJ
2004
-
2004
...in cooperation with various sound artists:
Peter
Szely, Christof Cargnelli, Electric Indigo --- Resembling a flaneur in an unknown city the bot...
Plasm: Above the Drome
1991
-
1991
Three networked skyboards equip visitors to surf freely throughout a shared virtual space. Each fiberglass skyboard is a custom full-body input device, with force-sensing resistors driving the flight simulation for the occupant's on-screen
The Tribe
2003
-
2003
... on the planet show us about being Jewish today? Narrated by
Peter
Coyote, the film mixes old school narration with a new school...
Plasm: A Fish Sample
1985
-
1985
The initial installation in the Plasm series, this piece was inspired by Allen Kay's talk on artificial life forms and simulated ecologies at SIGGRAPH the preceding year. A real-world living room setting, complete with sofa, coffee table,
AutoGene
2005
video
AutoGene initially entices viewers with a sense of familiarity, appearing as a simple commodity sculpture. However, this impression is rapidly dispelled - with the push of a button. The circular arrangement of the sculpture, paired with the dramatic
Trigger
2002
-
2002
... between punishment and pleasure, between pleasure and pain." (
Peter
Weibel, "Jordan Crandall: Art and the Cinematographic Imaginary...
Tavern Mirror
1994
-
1994
... 40-year career survey 1977-2020 with contributing author
Peter
Frank and others. To be published in 2022 by Acevedomedia
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