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Desert rain
1999
-
2003
... the imaginary have become increasingly entwined. (Adams in Bl
ast
Theory, 2002). Exposing the fragility and interconnectedness of...
DIGITAL MONSTERS DON'T BLEED
2014
... algorithms as "fundamentalist key texts" that establish "c
ast
-iron rules" beyond the control or influence of normal users.(2)...
e-Spotting 9/11
2007
e-Spotting (Emotion Spotting) Internet VR installation a music/internet performance and installation at the Palazzo Strozzi Seen as the world nervous system, the Net should now be the best way to know where pain and pleasure are located
Echo 9
1987
-
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Victor: This is one my favorites in the Ectoplasmic
ECOSMOSIS
2012
The Exhibition ECOSMOSIS takes place at the Hellenic Cosmos Cultural Centre from the 30th of May to the 30th of June 2012. The concept of the exhibition is by the architect Lina Stergiou and its creation in collaboration with the digital artist
Ectoplasmic Kitchen v01
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 was Acevedo’s first
EMOTION WINDS
2014
video
... The work interrogates concepts of data quantification, contr
ast
ing registers of data analysis with ‘the human factor’ to reveal...
Emotional Stock exchange (e-stock)
2005
The stock market of World's emotions Real time rating of the World's Emotions. Internet, diode screens Like for the stock exchange, 3200 quotations for an emotion coresponding at 3200 cities all over the world are displayed in real
EMOTIONS IN SPACE
2014
... The work interrogates concepts of data quantification, contr
ast
ing registers of data analysis with ‘the human factor’ to reveal...
entre-deux
2002
video
Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
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