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Between two sheets of perspex, 32 channels have been woven out of a transparent plastic tubing. Extending approx. 30m, these channels run from the outside of the building, over and through te front entrance, and thenm along the ceiling of the foyer

An augmented reality apparatus allowed the visitors, when looking through its optical window, to see a rotating computer-generated wire frame cube positioned in the real space of the museum. Further developement of this technology allowed stereo-

Music Room / Faultless JammingArtist: Paul DeMarinisComment:

Stills from a series of computer generated animations These works were produced using a home-built S-100 bus system employing asynchronous 8MHz/11MHz 8080/8088 (8 bit/16 bit) CPU's and Matrox video cards with home-developed digital to analogue

This was a performance installation at De Lantaren theatre in Rotterdam. When entering the theatre, members of the audience looked through an augmented-reality projection console, where they saw an animated computer-generated image of a swing that

"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the

In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate

To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his

Public WorksArtist: Eduardo KacComment:

Visual Poems and Language ArtArtist: Eduardo KacComment: