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L
1990
vintage fax on white paper, transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
Celui qui ne veut se servir des mots
1990
vintage fax on white paper, set of nine 8.5"x11" (21.6 x 27.9 cm) sheets, 1990. Transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
Razzmatazz
1993
Transmitted to Museo Internacional de Electrografia, Cuenca, Spain, 1993, and exhibited in Muestra Internacional de Fax Art, Facultad de Bellas Artes, Cuenca, Spain, 1993.
Elastic Fax 3
2005
Elastic Fax III was realized by participants sending sequential faxes directly from their cell phones to a fax machine in the gallery in São Paulo.
Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
Faxpoem
1990
Fax transmited from Chicago to: - "City Portraits: The Suburbs", fax exchange with group Art Reseaux, École Municipale D'Arts Plastiques, Rosny Sous Bois, France, 1990 - "The Globe Show", fax exchange with British artists, Oldham Art Gallery,
Accident
1994
Runtime looped animation in which language continuously emerges and disappears. As a speech fragment is repeated and letters disappear from it, new meanings emerge.
UPC
1994
In this looped and silent installation-poem 7-foot tall letters are projected against the wall. They emerge out of focus on the right, move across diagonally into focus, and disappear again out of focus to the left. Literal and at the same time
Insect.Desperto
1995
Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
Inside the Chain
2016
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2018
Inside the ChainArtist: Ekaterina ZharinovaComment:
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