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NFT Buddha
2022
NFT Buudha is a commentary on the NFT-based art trend of the early 2020's. Drawing on Nam June Paik's "Video Buddha" and the author's "Suburban Meditation" (2003-08), the piece is an intersection of Paik's meditation on media and the author's
Suburban Meditation
2003
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2009
Suburban Meditation (2003-2009) This installation is a commentary on the worship of materiaism in American Suburbia, The inspiration dedrives from the weekly practice of lawn mowing in suburban Baton Rouge Louisiana after visiting the Ryoan-Ji Zen
Pornéia
2016
FROM THE BACK COVER "These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of my yellpoems
Reburger (3D animation)
2003
video
Reburger (3D animation)Artist: Patrick LichtyComment:
RTMark: Bringing IT to YOU
1996
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2000
RTMark: Bringing IT to YOUArtist: Patrick LichtyComment:
Multiplicity
1996
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1996
These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object.
HDH215
2008
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2008
This piece is about a personal memory from my hometown, the small city of Heidenheim in the rural south of Germany. My favourite intersection is located on Schnaitheimer Straße, at the top where the old customs office is situated. One day the
Cracks to Oases
2018
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2018
The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manifesta 12› in July 2018. In the course of these 10 days, I was part of a group of artists and architects from around the world. Sara Kamalvand’s
National Flowers [Reflection]
2020
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2021
video
Peeping into a mirror-clad triangular prism, a surveillance camera observes images of its own species, while the kaleidoscopic reflections turn the devices into floral ornaments, referring to the ever-growing arrays of CCTV equipment in a tropical
Multiplicity N°19
1996
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2001
These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object. A black square. Lines without a vanishing point, 119 in number. Phases of a self-portrait. Light
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