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In the early '80s Eduardo Kac gave weekly performances on the streets of Cinelandia, the Bohemian center of Rio de Janeiro. He also performed at theaters, galleries, and on beaches. He concluded his performance project with a celebration of the

Escracho is an artist's book conceived, designed, and produced by Eduardo Kac in 1983 in Rio de Janeiro. It includes contributions from artists and writers from several countries in a variety of forms (visual poetry, essay, cartoon, collage, graphic

To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his

Public WorksArtist: Eduardo KacComment:

TypewritingsArtist: Eduardo KacComment:

Visual Poems and Language ArtArtist: Eduardo KacComment:

Electrostatic MonoprintsArtist: Eduardo KacComment:

NFT Buudha is a commentary on the NFT-based art trend of the early 2020's. Drawing on Nam June Paik's "Video Buddha" and the author's "Suburban Meditation" (2003-08), the piece is an intersection of Paik's meditation on media and the author's

Suburban Meditation (2003-2009) This installation is a commentary on the worship of materiaism in American Suburbia, The inspiration dedrives from the weekly practice of lawn mowing in suburban Baton Rouge Louisiana after visiting the Ryoan-Ji Zen

FROM THE BACK COVER "These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of my yellpoems