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A navigational poem that presents the viewer with the image of a three-dimensional spiral jetting off the center of a two-dimensional spiral. Both spirals are made exclusively of text. The reader is able to grab and spin this cosmic verbal image in

This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As

This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine. Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations

The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.

Media environment Shown at Amerlinghaus Vienna (A) in the context of the "Computerkulturtage" When the elephant falls from the tree, the ants die. Zoone- zone, zoo Computer images quickly animate a composition scheme with rhythm changes- Screen 1

Monologue is about psychological experience of women. Inspired by women’s diaries and “Nu Shu” which is an old writing system in China used only among women, “Monologue” tries to convey women’s internal and external contradictories which comes from

This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and

In the Erratum series of biopoems, pairs of words are seen in a field in which layers of colors embed and dissolve the verbal forms. The pairs always produce semantic tension. Alive as the biotopes are, lexical form and color are unstable and always

Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and

Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and