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L
1990
vintage fax on white paper, transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
Celui qui ne veut se servir des mots
1990
vintage fax on white paper, set of nine 8.5"x11" (21.6 x 27.9 cm) sheets, 1990. Transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
Razzmatazz
1993
... Spain, 1993, and exhibited in Muestra Internacional de Fax
Art
, Facultad de Bellas
Art
es, Cuenca, Spain, 1993.
Elastic Fax 3
2005
...Elastic Fax III was realized by p
art
icipants sending sequential faxes directly from their cell phones to a fax machine in the gallery in São...
Holopoetry (Series/Concept) 1983-1993
1983
-
1993
Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work. Six different points
Geometria do Êxtase
1982
... poem executes in a loop. Originally written in Basic, it was p
art
of a series of experimental ASCII works that Kac created in the...
Oco
1985
As the cylindrical form of the three letters spins in space, the letter I appears and disappears, producing the fleeting appearance of the words "o cio" (in heat) and "ócio" (idleness).
Faxpoem
1990
... to: - "City Portraits: The Suburbs", fax exchange with group
Art
Reseaux, École Municipale D'
Art
s Plastiques, Rosny Sous Bois,...
IO
1990
Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
Storms
1993
An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
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