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montréal2000
2000
-
2000
video
... In Schnell´s inst
alla
tions Body Scanned...
RISIKO
2017
-
2017
...Inst
alla
tion Europe, North Africa and the Middle East enclose...
Territorism II
2005
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2005
Dynamic video projection 'Territorism II' was conceived in 2005 as an indoor version of the video projection 'Territorism' at the Kunsthaus Bregenz (2002). It was shown for the first time as part of the exhibition In the line of flight in the China
Making of Eve Clone BP 1-6
2020
-
2020
This series prints show six wire-framed body images of “Eve Clone” in six angles excerpted from the video of “Making of Eve Clone I”. Also, the texts about the “Whore of Babylon” were taken from the Book of Revelation to show the identity and
Making of Eve Clone I MR
2019
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2019
Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will
Making of Eve Clone Portrait IAR/1-6
2019
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2019
“Making of Eve Clone Portrait” received the First Prize in ART WOMEN International Exhibition held by PPLG in Italy ?FELLOWSHIP PRIZE 2020 – Platinium Certificate Award ?Best concept on the trilogy of the word “Culture-Territory-Identity”)
Birth of Eve Clone P
2018
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2018
... projection inst
alla
tion of three Eve Clone...
Mirrors of the Unseen (MotU) #9
2019
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2019
Light object The work was conceived for the Printscreen Festival in Holon, Israel. Thinking the internet as a territory and as a field of action, the content of the work addresses matters of social movements, surveillance, algorithms, and
Making of Eve Clone Documentation II
2017
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2017
The origin of Documentation of Making of Eve Clone II series is from the animation Making of Eve Clone I. I select three parts of the grid body of Eve Clone such as golden-head with silver-chest, silver-chest with coppery abdomen, iron leg with half
GFP Bunny
2001
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2001
As a transgenic artist, I am not interested in the creation of genetic objects, but on the invention of transgenic social subjects. In other words, what is important is the completely integrated process of creating the bunny, bringing her to society
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