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Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime

Video installation in public space In the context of the project Freizone Dorotheergasse (Wiener Festwochen and Galerie Metropol), Vienna (AT) In co-production with Gudrun Bielz The work 'Videoschwelle' was conceptualized as part of an exhibition in

Spring up II – Coexistence serves as an evolutionary product of the sound-sensitive installation of Spring up – it is a replication of its DNA. This continuation of life is just like cell division, the fundamental process of organism growth and

Stage performance with three dancers and sixty plastic boxes as scenographic objects, video mapping surfaces, and sound and light sources. Analogy between geopolitics and children's games. Internet found-footage combining images of Syrian refugee

The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manifesta 12› in July 2018. In the course of these 10 days, I was part of a group of artists and architects from around the world. Sara Kamalvand’s

The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds

The sine curve function was applied to the digitized drawing and many passes were made through it to achieve this image.

This early plotter drawing later served as the basis for two different versions of "Sineman Two." In "Sineman Two" Csuri applies the sine curve function to the drawing of "My Father" and then created a black ink drum plotter drawing and a red photo

"Did you know it takes exactly 24 hours at 24fps to display each pixel on a High Definition Television screen? Initially, an animation is created by translating an image of Nam June Paik's TV-Buddha with a resolution of 1920 x 1080 pixels. Achieved

The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of