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Fractals
2018
KUYPERS, Janet. Scythes. Down in the Dirt. Illinois, USA: Scars Publications, 2020. ISSN 1554-9666. (EN) http://scars.tv/art/Radoslav_Rochallyi/
A 442 Hz.
2013
-
2022
video
Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
Geomart-ut1
2021
-
2021
video
Geomart-ut1Artist: Selcuk ArtutComment:
MUSEALL
2012
MUSEALL (prononcer « Musée All », nom alt. : ARTGATE… nom de code) Dispositif Educatif Muséographique Artistique Numérique et Documentaire (DEMAND) Aucun musée ne donne accès à la totalité des collections des autres Musées. Les petites municipalités
911 BAD MAD GLAD SAD
2012
911 BAD MAD GLAD SADArtist: Maurice BenayounComment:
QUARXS 90S
2016
At the beginning of the 90s, Quarxs was the very first 3D graphics HD TV series widely awarded as a pioneer TV program. Conceived in collaboration with comics author Francois Schuiten and Benoît Peeters, it has become a reference in the history of
COLORS TUNNEL
2016
When the Web link colors and locations (here Hong Kong), the surprise doesn’t come from the rainbow effect, but rather from how colors are weighed with cultural, social and political connotations. The “digger” in the Colors Tunnel have to go through
BRAIN FACTORY PROTOTYPE
2016
With Brain Factory Prototype, Maurice Benayoun and Tobias Klein have produced a very specific installation — a mechanism designed to transform abstract things into concrete objects with the participation of the spectator. An installation/tool, it
BRAIN FACTORY PROTOTYPE 2
2016
video
Brain Factory is an installation that allows the audience to give a shape to human abstractions through Brain-Computer Interaction (BCI), and then to convert the resulting form into a physical object. The work examines the human specificity through
BORDER DIGGERS, NANJING – HONG KONG TUNNEL
2017
Students from CityU School of Creative Media and Nanjing University Art Institute tracking the obstacles in mediated communication. During the first decades of digital computing and networking, the emphasis was put on the potential of the
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