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Mobile Feelings
2003
-
2003
..."Mobile Feelings" is an
artist
ic project that explores the ambivalence of sharing...
down Jones
2002
excerpt from an Interview with the Thing (http://epidemic.ws/downJones_press/THE_THING_Interview.htm): Q: Your latest project, downJones [sendMail], is a demo of a virus for webmail sofware that slips short phrases into the body of any e-mail. In
The New Dunites
2009
-
2013
video
“The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
Going to the Heart of the Center of The Garden of Delights
1986
video
The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
Environmental Media Studies
1977
-
1979
Environmental Media Studies explored new ways of representing landscape and place. Moving Movie #1 (1977) was an inexpensive modest study made at MIT. I was obsessed with why movie cameras move and movie projectors don’t, and filmed the Boston
Wings
1996
-
1996
Our most recent project was to advance the technology and techniques discovered during production of The Adding Machine. We utilized the projected computer graphic system developed for The Adding Machine, but further required that each audience
Lautriv Chromagnon/Medusa
1995
... body is a vehicle of
artist
ic comunication. The...
conFIGURING the Cave
1997
-
1997
... that is formed like the prosaic
artist
s' mannequin; this figure...
Halo
1998
Interactive digital video projection environment 30 x 10 x 12 metres 4 large scale video projections, colour, multi-channel interactive sound In collaboration with Sarah Rubidge (choreography) and Stuart Jones (sound) Produced by Film and
Watchers
1996
"Watchers" are ambient light sculptures concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction. Detection of movement has been at the core of our
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