Archive Search

  • ... and veiled in transition at the same time, arranged by or using your own memory. Exhibited i.e.: Numérique, Littérature et Arts Programmés, Soirée ALIRE 12 et Transitoire Observable, Cinémas, Centre Pompidou, Paris, December 16, 2004; FILE 2004, ELECTRONIC...
  • E[Y]GG[E] - video
    ...E[Y]GG[E] is an interactive Net Art / E-Poetry piece created in Flash in the year 2000. It is a meditation about time and space on the Net and elsewhere. Exhibited i.e.: AJAC 2000 Art Show, Metropolitan Art Museum Tokyo, Japan, 2000; Faculty Exhibition+, Starla...
  • ... hope. It is impossible to listen the voices of the trees. But the technologies allow us to “listen”. The search of New Media Art brings us closer to the communication with the plants — the electromagnetic impulses inside the trunk appear fixed with the equipment...
  • Pine Family -
    Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as
  • Planchette Bot -
    ... live performances where in-depth conversations with few of these leading lights are staged inviting sensate audiences to participate in.
  • ...It's Your PartyArtist: Nancy BuchananComment:
  • Use Value
    ...Use ValueArtist: Nancy BuchananComment:
  • ... draws the spectator into the realm of the hidden dimensions of physicality, where original microscopic imagery – parts of the artist’s body tissues, like skin and hair – are digitally transformed into colourful, hypnotic landscapes and abstract patterns in...
  • Scarlet(t) -
    This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
  • Carl Theodor Dreyer's 1928 'La Passion de Jeanne d'Arc' is arguably one of the finest films in the history of film, and Renée Jeanne Falconetti, primarily known as a stage performer in light opera, provides it with one of cinema's most harrowing