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Sophie Taeuber-Arp's Vanishing Lines
2015
Sophie Taeuber-Arp's Vanishing Lines Myriam Thyes, 2015, animation, HD video, 10:10, loop, stereo. Sound: Silvia Pachler. In what is, prima facie, a mesh of abstract lines, no few of the works that Sophie Taeuber-Arp completed between 1940 and 1942
Explosions in the Sky
2008
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2008
The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their
(Another) Point of view
2003
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2003
Two video projections are confronted on the same screen. The first shows the bodies of African dancers in exultant movements, gradually moving into a trance. The other presents the State’s armed forces: the worrying and repressive face of the
The Reproductive System
1984
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1984
Digital video installation 1 monitor colour, silent An installation using one monitor, one live computer feed (simulating in realtime the process of genetic recombinance), one rock with crystals growing over it and a tank with live fish.
Mission to Earth (Soft Cinema Edition)
2003
Computer-driven media installation, custom movie generating software, database of video clips, variable configurations. Source: Lev Manovich
Temptation of Saint Anthony
1990
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1990
Digital video 4 mins 20 secs colour, stereo sound by Jon Rose Inspired by the book of the same title by Gustave Flaubert. Here Anthony is every one of us, the temptation our capacity to change the world and reshape it, through technology, in
INVERSE SPACE
2017
video 4,24′ The video Inverse space works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of
Connection
2002
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2002
A series of video illusions for drivers is projected onto the front window of the Cartier Foundation, Boulevard Raspail, one of the main streets in Paris. The real-life scale of these videos gives drivers the impression that new streets have opened
Creation Myth
1985
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1985
Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)
Is There Any Room for Me Here?
1988
IS THERE ANY ROOM FOR ME HERE? "This black-and-white video is based around the image of a sparsely furnished apartment at nighttime, using light and shade effects - of a subtlety and delicacy that recalls the brush strokes in a Chinese ink drawing -
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