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"Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this

In the early '80s Eduardo Kac gave weekly performances on the streets of Cinelandia, the Bohemian center of Rio de Janeiro. He also performed at theaters, galleries, and on beaches. He concluded his performance project with a celebration of the

Escracho is an artist's book conceived, designed, and produced by Eduardo Kac in 1983 in Rio de Janeiro. It includes contributions from artists and writers from several countries in a variety of forms (visual poetry, essay, cartoon, collage, graphic

To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his

NFT Buudha is a commentary on the NFT-based art trend of the early 2020's. Drawing on Nam June Paik's "Video Buddha" and the author's "Suburban Meditation" (2003-08), the piece is an intersection of Paik's meditation on media and the author's

Suburban Meditation (2003-2009) This installation is a commentary on the worship of materiaism in American Suburbia, The inspiration dedrives from the weekly practice of lawn mowing in suburban Baton Rouge Louisiana after visiting the Ryoan-Ji Zen

FROM THE BACK COVER "These previously unissued recordings from the Porn Art Movement (1980-1982) include five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of my yellpoems

These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object.

These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object. A black square. Lines without a vanishing point, 119 in number. Phases of a self-portrait. Light

This piece is about a personal memory from my hometown, the small city of Heidenheim in the rural south of Germany. My favourite intersection is located on Schnaitheimer Straße, at the top where the old customs office is situated. One day the