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Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited

An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,

Runtime looped animation in which language continuously emerges and disappears. As a speech fragment is repeated and letters disappear from it, new meanings emerge.

In this looped and silent installation-poem 7-foot tall letters are projected against the wall. They emerge out of focus on the right, move across diagonally into focus, and disappear again out of focus to the left. Literal and at the same time

Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime

This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine. Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations

Media environment Shown at Amerlinghaus Vienna (A) in the context of the "Computerkulturtage" When the elephant falls from the tree, the ants die. Zoone- zone, zoo Computer images quickly animate a composition scheme with rhythm changes- Screen 1

Monologue is about psychological experience of women. Inspired by women’s diaries and “Nu Shu” which is an old writing system in China used only among women, “Monologue” tries to convey women’s internal and external contradictories which comes from

The biopoem "Erratum I" is what Kac calls a "biotope", that is, a living work that changes in response to internal metabolism and environmental conditions, including temperature, relative humidity, airflow, and light levels in the exhibition space.

Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and