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The Swift Erosion of a Crater through Human Intervention
2020
Performance, wall piece, 6 b&w inkjet prints, 27" LCD monitor, video loop, sound, dimensions variable. On life and mortality
Integrating Web (1987) 135x10
1987
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1987
Integrating Web (1987) 135x10Artist: Joseph NechvatalComment:
The Time Traveler
2017
-
2018
The Time TravelerArtist: Lales PetrosComment:
Picking up broken glas to make a life for me and my family
2019
Picking up broken glas to make a life for me and my familyArtist: Sally SheinmanComment:
Corona Isolation Ironically, but true
2020
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2020
Corona Isolation Ironically, but trueArtist: Irena PaskaliComment:
Dolphin
1989
DolphinArtist: Lillian F. SchwartzComment:
I / THE FOOD I ATE
2016
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2020
9:59 min. (short version 3:30 min.) / HD video / produce in Switzerland The artist has been recording everything he ate since 1975. Pairing his food intake with his portrait suggests that what he ate makes who he is. All the mayonnaise he ate in 38
Grandma and Grandpa
1967
laser etched print; Dimensions25 × 28 3/4 in. (63.5 × 73 cm)
Seed/Tree
2005
-
2007
video
SEED /TREE (2005) Installation/Butoh Performance/Live Electronics This project was created during an “artist in residence” program at the ZKM (Centre for Media Art in Karlsruhe, Germany). Feelings, associations, mental images and spontaneous
Zero City
2018
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2018
“Zero City” is a number of elevator shafts of different length. Their spatial structure resembles a city where the role of each building is to move in a vertical direction. All the elevators are programmed the same way and act as a pack carrying out
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