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SUSPENSIONS
2019
video 7.03 The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space.
SUSPENSION – CIRCLE-SQUARE
2019
video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.
ORCINUS ORCA
2019
... aka Netherworld, Glacial Movements, 2019). The music captured
art
ist’s imaginations of coldness and isolation as well as visions of...
POLYMORPHICS
2018
Vacuum formed polyester Series (4); dim: 80 x 80 cm (each) Four wall reliefs are based on the same microscopic image of carbon substance, which is being transformed by the use of special computer programs used in microscopy. The proceeding of image
CAST TO THE BOTTOM
2017
... are reminiscent of Berlot's previously realized works of
art
- topography of magnetic fluids and light sculptures. The...
LIQUID SOLIDITY
2017
video 5,06' The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure, which periodically resembles a virus structure, complex proteins or carbon fullerenes, is
INVERSE SPACE
2017
video 4,24′ The video Inverse space works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of
RECIPROCITY
2017
Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier
BAROQUE MOMENTS ON FIRE
2020
-
2020
...BAROQUE MOMENTS ON FIRE
Art
ist: Anabela CostaComment:
POLYMORPHIC IMPRINT
2017
... perception. – Uršula Berlot, 2017 'We are thus dealing with an
art
istic response to the situation of elite techno-images (...) The...
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