Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
(selected)
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
250
251
252
253
(current)
254
(more)
273
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Holopoetry (Series/Concept) 1983-1993
1983
-
1993
Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work. Six different points
Faxpoem
1990
Fax transmited from Chicago to: - "City Portraits: The Suburbs", fax exchange with group Art Reseaux, École Municipale D'Arts Plastiques, Rosny Sous Bois, France, 1990 - "The Globe Show", fax exchange with British artists, Oldham Art Gallery,
Não!
1982
"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
Oco
1985
As the cylindrical form of the three letters spins in space, the letter I appears and disappears, producing the fleeting appearance of the words "o cio" (in heat) and "ócio" (idleness).
IO
1990
Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
Storms
1993
An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
Accident
1994
Runtime looped animation in which language continuously emerges and disappears. As a speech fragment is repeated and letters disappear from it, new meanings emerge.
UPC
1994
In this looped and silent installation-poem 7-foot tall letters are projected against the wall. They emerge out of focus on the right, move across diagonally into focus, and disappear again out of focus to the left. Literal and at the same time
Insect.Desperto
1995
Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
1
…
(more)
250
251
252
253
(current)
254
(more)
273