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... physical sculptures, appraisable forms becoming tokenized values[2]. Between the immateriality of the sublimated, thought or data, and physicality of reified abstractions, we can now figure out the shape of the world to come; the shape of our thoughts.

... the software probes for facial features and characteristics that are similar to one of the 150 pre-selected persons in the data base: all chosen for controversial or infamous acts. Based on what the software detects, the visitor passing through the entry...

... through what kind of interfaces one system may best interact with another? Or throug what kind of interfaces may we enter a data world without being disturbed ba unnatural (weird) devices? Inspired by such questions the project is beeing developed since...

... in memescapes, inhabiting within artificial landscapes no longer made of earth, but of memory units. Interfaces and data extend gestures beyond the boundaries of the body, and our sensitivity can live in a new cognitive space as an extension of our...

... machines, hard drives, the memories, the alphabetic convention, textual noise, the "junk" operating systems, the satellite data, the identity on-line, the identity-off-line, the algorithmic remains on the hard drives that are not going with hammers, delete...

... techniques between media artists, computer musicians and computer scientists. The interactive environment SMDK consists of a data base containing sounds which are contributed in the Internet from all over the world. Based on their characteristics, the sounds...

... that updates the personal details and numbers of slain U.S. soldiers. When new deaths are updated on the website, the data is extracted and sent wirelessly to custom hardware installed on the I.E.D. armband. The LCD readout displays the soldiers’...

... material, functional, ontological and poetic qualities of the archive, as well as evoke networks of communication, digital data-flow and neo-Fordist production lines.

... like "wire-frame debris" and "brush strokes" using the software's rectangular fill feature. I even kept in the accidental data slur (seen at the bottom of the picture) as part of the final composition. This happened when saving it to a hard drive that was...

... these interactive zones define a complex physical but invisible form in the gallery space. A computer cross-references the data from the cameras to work out which zones are experiencing the greatest physical activity at any given moment and plays the...