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... to convey an intuitive understanding and the experience of data. The models represent an epistemological nexus between art and science. While scientifically precise, the display uses art methodologies as an optimal means for expressing imperceptible...

... series of relief light-sensitive works was conceived on the basis of computer-modified microscopic images of particles of the artist’s body by inverse fast Fourier digital transformation (IFFT), with the help of computer programmes used in microscopy. This is...

Development of the eight cubic foot model of the IceCube Neutrino Observatory began as an optimization of an eariler model used by WIPAC for education and outreach. That version had one light per twenty DOMs represented in the IceCube array. One of

... marketplace of ideas. The homunculus refers to a series of algorithmically derived sculptural bodies (homunculi) built as part of a file-to-factory digital fabrication process that involved generative modelling, CNC milling, and casting of a fibre-composite...

... from the real motif towards the abstract one using form and colour on two levels: colour (the RGB colour model), is forced artificially upon the achromatic micro recording while the procedure of colour layering brings in the illusion of motion and depth,...

... dimensions. Graphical images on paper combine structures that look like microscopic imagery and the morphology of bodily particles. The bodily tissue is mediated in a variety of observation ratios: from stylised visible body parts (abstracted forms of...

video 7.03 The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space.

... of Wisconsin-Madison Space Science and Engineering Center (NSF grant number ANT-0838834); and the Wisconsin IceCube Particle Astrophysics Center (WIPAC), University of Wisconsin-Madison, Graduate School. Sponsered by the City of Toronto for...

video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.

... the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured artist’s imaginations of coldness and isolation as well as visions of shiny spectacles produced by sharpened light projected into...