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In this multimedia, telematic performance, data from playing a Tibetan singing bowl filled with milk was transformed into sound and images. The imagery then projected onto a screen are abstract digital graphics, which are originally images of

A telematic performance where the movements of a sensor glove control video, which is reacting to sound from a remote location. The sound is reacting back to the video.

A telematic performance with dance, motion tracking, sonic references and video disturbances examining the effects of nuclear radiation.

A telematic mixed reality live-time performance between two places. A dancer performs in Canada, her movements are shown on two screens in Indiana, where musicians play in reaction to her movements. The combined visual and sound recordings trigger

css poetry declarationArtist: Francesco AprileComment:

The work depicts gene editing technology CRISPR which has the potential to treat genetically caused diseases, for instance, autism. The PHSCologram sculpture shows different phases of CRISPR genome editing. The first panel shows Cas9 protein in

The piece, being a part of the show “It’s Two Minutes to Midnight,” provides viewers with an educational journey on humankind’s history of de- and re-nuclearization. The show, organized by Weinberg/Newton Gallery in collaboration with the Bulletin

The PHSCologram is a homage to 'Have a Nice Day' produced in 2002 by Ellen Sandor in collaboration with Martyl Langsdorf’ the author of Doomsday Clock, originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The

CRISPR-Cas9 is contrasted with Nude in box-reclining (1962) and Sand Dune Nude (1967) by Ruth Bernhard and Dix Rayogrammes de Man Ray et un Texte de Pierre Bost by Man Ray (1931).

»Bubble Chamber Beginnings: Revisiting the Vintage« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual