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Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating

Computer-controlled light installation with three LED bars Lower Austria State Academy, St Pölten (A), competition 1992, realization 1997 (after moving to the government district of St Pölten) The installation 'Virtual Terms' was designed for the

Videotape Art video clip as a teaser for the musical of the same name (directed by Michael Schottenberg/Theater im Kopf) in the Wiener Schauspielhaus.

The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs

The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common

Print on gold-plated steel The golden tableau depicts the outline of the Mediterranean Sea and its neighbouring states; escape routes and ferry routes, routes of cruise liners and patrol boats that cross the sea on their journeys were superimposed,

Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived

Wooden Worlds is a multimedia performance, which is developed from the several different sound and visual layers, which interact with each other in real-time. Together they create an atmospheric constellation. The attention of the audience is

The large-scale projection interactive installation, Revelation of Eve Clone I, further presented that Eve Clone had artificial life and reproductivity. After the viewer entered the exhibition realm, Eve Clone’s life index (the Time Code on the

Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a