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... of an installation which addresses my current interests - in the relationships which are emerging between feminism, technology and art. Two major influences when I was growing up were time which I spent in the southern USA visiting family who...

... by the Theremin, the first electric musical instrument that can be played without touch, we have developed a digital technology for Electro Field Sensing. The position, direction of movement and speed of hand gestures can be used for navigation. The...

...At the same time an innovative art installation, a world premiere, and a prototype for brain design technology. Brain Cloud is part of the Brain Factory series of works helping the visitors, recently converted into “brain-workers”, to give shape to human abstractions...

..."Nuzzle" is a shared 3D virtual environment art work, using digital networking technology. It realizes a new type of communication space where people can meet and talk to each other as avatars from several telematic immersive computer terminals. Two terminals are...

... technologies. . . are allowing devices to understand their places among people, within space, and among other devices. This technology. . . allows us to better understand our place within, and our relationships to the spaces which we inhabit. Locative media...

...Installation: 4 reliefs (CNC technology) and 4 photographs (digital print on acrylic support) dim: reliefs (each): 80 x 80 cm; photographs: 60 x 60 cm The crystal structures are microscopically analyzed using computer programs, which allow the simulation of mapped...

... of others at a distance? Haptic Field is a participatory multi-sensory installation merging contemporary fashion, wearable technology and an exploration of the senses beyond site. Employing garments especially designed and produced by the Chinese...

... project was initiated by Peter Weibel, who invited me to present the project at the ZKM Karlsruhe (Center for Art and Media Technology). In Karlsruhe the Imachinations will be presented now in 2004 as a backprojection (3 by 12 meters) in the “SubRoom “ of...

... eyes. The exterior installation space communicates a contrasting image to the domestic interior. Unlike the inside, the technology is very visible - akin to a media lab environment. The telepresent interfaces located on the outside of the installation,...

... such as the one chosen by Bielicky can be accessed and indeed physically penetrated by spectators, using simple blue-box technology. Other than in a control monitor, they do not see themselves in the pictorial environment. Paradoxically, this results in...