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Skulls
2000
Robert Lazzarini composed a sculptural installation of four skulls hung about eye-level and protruding about a foot from the walls of a small, well-lit, clean and bright room. To create this deceptively low-tech installation, Lazzarini
Crystal Math
2012
Crystal Math. 1-channel video, 5.1 sound, 5000 m nylon-wire With thousands of meters of nylon threat Sylvia Eckermann produced a spider web that serves as the captivating projection screen for her "expressive verbal image" (Sabine Dreher) with which
In Ninth Heaven or The Far End of Europe
2008
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2009
Fluctuating between the worlds of early Baroque and late Ming/early Qing eras, the project explores a rather brief yet multi-faceted period of enlightened dialogue between Europe and China. Although characterised by a respectful scientific exchange,
Netzspannung.org
1998
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2012
video
NETZSPANNUNG.ORG : MEDIA ART ARCHIVE PLATFORM 1997- 2001 / 2012 Netzspannung.org is an online archive platform for the collection and promotion of media art. Beyond the archive, programs such as streaming tele-lectures by media scholars, media art
The Affective Cane
2014
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2014
The Affective CaneArtist: Diana DominguesComment:
What color is it?
2014
video
A chromatic clock that translates time into colors using 4 sine functions: one for each RGB color + black.
The cinematic floor
2011
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2011
The cinematic floorArtist: Diana DominguesComment:
The Reengineering of Urban – Bioart and mHealth Enactive Affective Systems and Affective Narratives
2013
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2013
The Reengineering of Urban – Bioart and mHealth Enactive Affective Systems and Affective NarrativesArtist: Diana DominguesComment:
Expanded sensorium and physiological sensors
2015
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2015
EVALUATION OF PHYSIOLOGICAL VARIABLES in an unusual context, that is, non-clinical or laboratory, using a T-shirt developed by undergraduate students in Electronic Engineering and Masters in Biomedical Engineering, with sensors capable of measuring
MULTIPLE voice/vision
2012
The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and
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