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CRISPR-Cas9 is contrasted with Nude in box-reclining (1962) and Sand Dune Nude (1967) by Ruth Bernhard and Dix Rayogrammes de Man Ray et un Texte de Pierre Bost by Man Ray (1931).

»Bubble Chamber Beginnings: Revisiting the Vintage« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual...

»Binary Bypass: Neutrinos for Data Communication« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual...

»The Supernova Spectacle« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual artworks at the intersection...

»The Magnificent MicroBooNE: Science Through the Art of Jackson Pollock and David Smith« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research...

The PHSCologram depicts the first computer-generated illustration of the AIDS virus, as known in 1987 when HIV infection was causing millions of deaths around the world. The image represents a colorized CAT scan of a person called Messiah who passed...

World Stage uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a time when national, political and social identity has been brought to the forefront of our minds, we are ever more...

NaClArtist: Ellen SandorComment:

Working extensively with social-political context from the 1980s, in 1991 (art)n created »The Equation of Terror« which referred to the Gulf War. The work entailed animated mathematical equations and PHSColograms which depicted economic, biological...

The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,...